Rhoda Penmark (The Bad Seed) has nothing on this little monster. The problem is, though, that there's no foundation in reality for this allegory, if it's not merely directorial * to turn yet another buck in today's Horror market. Anything goes these days, whether it makes sense or not. This one, like the unicorn book Stephanie reads, makes no sense. Was that the point of the film? To make no sense? Or are we to believe that children all over the world are now doors for unseen demonic entities who possess them and plan, though them, to destroy the planet from inside the family structure. See how confused I am? Look. Avoid this one unless you like dark rooms, dead bodies, Slasher scenes, jump scares, and watching people step on broken glass jars and slice their feet wide open. I give this one a three only for the little girl's acting, which was close to perfect. Check out Blum's The Keeping Hours if you want one of his films that actually makes sense and, well, is a keeper.
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